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György KurtágSigns, Games and Messages
Kurt Widmer baritoneOrlando TrioHiromi Kikuchi violinKen Hakii violaStefan Metz celloMircea Ardeleanu percussionHeinrich Huber tromboneDavid LeClair tubaHölderlin-Gesänge for baritone op. 35a
Signs, Games and Messages for strings
...pas à pas - nulle part ...Poèmes de Samuel Beckett et Maximes de Sébastien Chamfort for baritone solo, string trio and percussion, op. 36
Recorded February / March 2002ECM New Series 1730
The first new album by Kurtág in six years is a major event. Kurtág was always a master of the miniature ? no tone or texture, no grain of sound is wasted ? but now his work is more concentrated than ever. The work on ?Signs, Games and Messages? represents a pinnacle of Kurtág?s art of achieving the ultimate in expression by the most minimal of means. The album is comprised of settings of Hölderlin (and Paul Celan) in the ?Hölderlin-Gesänge?, sung by Kurt Widmer, and of Beckett (and Sébastien Chamfort) in ? ... pas à pas ? nulle part ...?, sung by Widmer with string trio and percussion. The two song cycles are linked by the work-in-progress that gives the album its title: ?Signs, Games and Messages? for strings. The three cycles recorded here ? and to which the distinguished interpreters gave years of intense collaboration ? comprise between them a total of 59 tracks, only one of which goes beyond three minutes in duration. More than any composer before him, Kurtág has mastered the art of the expressive musical aphorism ? or, as he self-deprecatingly puts it, ?making music out of almost nothing.? But as England?s The Guardian said, ?A whole world of expression and suggestion can be packed into these exquisite, crystalline forms.?
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